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Jorma Kaukonen : ウィキペディア英語版
Jorma Kaukonen

Jorma Ludwik Kaukonen, Jr. (born December 23, 1940) is an American blues, folk and rock guitarist,〔〔〔 best known for his work with Jefferson Airplane and Hot Tuna. ''Rolling Stone'' magazine ranked him #54 on its list of 100 Greatest Guitarists.〔(【引用サイトリンク】title=100 Greatest Guitarists: David Fricke's Picks )
==Early life==
Born in Washington, D.C., the son of Beatrice Love (née Levine) and Jorma Ludwig Kaukonen, Jorma Kaukonen had Finnish paternal grandparents and Russian Jewish ancestry on his mother's side.〔() 〕
Kaukonen learned to play guitar as a teenager in Washington, D.C. But before moving to the D.C. area, Jorma and family lived in the Philippines and other locales as he followed his father's career from assignment to assignment before returning to the place of his birth. As a teenager in Washington he and future Jefferson Airplane bassist Jack Casady (who at the time played six-string guitar) formed a band named The Triumphs. Kaukonen departed Washington for studies at Antioch College where friend Ian Buchanan taught him fingerstyle guitar playing. Buchanan also introduced Kaukonen to the music of Reverend Gary Davis, whose songs have remained important parts of Kaukonen's repertoire throughout his career.〔Tamarkin, Jeff. ''Got a Revolution!: The Turbulent Flight of Jefferson Airplane''. New York: Atria Books, 2005, p. 29.〕
In 1962 Kaukonen moved to the San Francisco Bay Area and enrolled at Santa Clara University. During this time he taught guitar lessons at Benner Music Company in San Jose. As a self-described blues purist, Kaukonen never had any ambition to play in a rock band. He played as a solo act in coffee houses and can be heard accompanying a young Janis Joplin on acoustic guitar on an historic 1964 recording (known as "The Typewriter Tapes" because of the obtrusive sound of Kaukonen's first wife, Margareta, typing in the background).〔Tamarkin, p. 31〕 Invited to attend a Jefferson Airplane rehearsal by founding member Paul Kantner, Kaukonen found his imagination excited by the arsenal of effects available to electric guitar and later said, "I was sucked in by technology."

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